Book Review: Wrestling Book Tells A Historic Story

Front cover photo: New Japan Wrestling. Cover design Tania Craan.

 

I am not going to write a positive book review just because one of the writers of The Pro Wrestling Hall of Fame : The Storytellers from the Terrible Turk to Twitter (ECW Press, 2019) is Greg Oliver, along with Steven Johnson. I strive, and take pride in writing honest reviews, where many of the publishers and writers have complimented me on with their books. Since I have written for Oliver’s wrestling site , Slam Sports, in the past, it will not sway my review.

I saw the book online, and the cover immediately turned me off , with the photograph of wrestler Kenny Omega and Chris Jericho from their New Japan match. I still like Jericho as a wrestler, a businessman, and a writer. I have never seen the appeal of Omega, where the internet darlings, who also helped many of the ECW wrestlers in the day think they were better in the ring than they really were, praise him constantly, yet don’t know anything about when wrestling was believable. I personally would not seek out a book with Omega on the cover period. When the book came in the mail from the company, I figured I might as well give it a chance, you know the old saying about a book’s cover.

I had no doubt that something with Oliver’s name on it would be well written, but this book was wonderful in detailing the early days of wrestling, to the territories days, and beyond, when it came to the various aspects of storytelling in the ring (and out of it). The early parts of the book describes the history of promoters taking wrestling from the carnival days, to the days of Ed Lewis and his promoter manager, and making wrestling a global attraction. There are stories about how several promoters in the business , before Vince McMahon Jr. ever did in the late 1980s-1990s, publicly announced the business was not legit, and was more entertainment.

The book tells tales about the early “first blood,” ladder, and blindfolded matches, along with the strange matches involving monkeys, bears , and yes, even fish. The first cage matches, and the first manager heel, Count Rossi, are covered in the easy to read, short chapters. Announcers such as Bill Mercer, Dennis James (who is considered the first national wrestling announcer), and the return of Tony Schiavone, along with the announcers’ roles in keeping story lines going, are also part of the book.

The text covers times in the 1970s and 1980s when wrestlers needed a crazy story to boost business gate receipts, such as throwing the title belts into rivers and lakes (which was done many times before The Rock and Steve Austin did it in WWE), to how important the wrestling magazines were in helping get wrestlers over to the fans.

There are many wonderful stories about classic characters like Jack Pfifer, Jim Barnett, Dr. Sam Sheppard (who was the inspiration for the TV show The Fugitive, and had ties to my hometown, near Youngstown Ohio), to wrestlers who went on to be actors in Hollywood, like Alex Karras (Mongo from Blazing Saddles) and Victor the bear. The writers used many interviews (the credits state over 200) from people like Tom Prichard, Court Bauer, Jim Cornette, Kevin Sullivan, Bobby Fulton, and Eric Bischoff.

Another interesting part of the book (besides the first 200 pages filled with the older history of wrestling) is the section on the importance of the current day writers. I agree that wrestling today is way too scripted when it comes to writing story lines and interviews (they don’t come off as legit and too rehearsed), but the interviews with former WWE and TNA writers taking the reader behind the scenes to what goes on weekly was an informative. Another entertaining part included the wrestling magazines section, where during the pre-internet days, fans had to visit to the local newsstand and buy wrestling magazines (which I have many from the late 1980s-1990s) to keep up with what was going on, because most newspapers did not cover wrestling.

The last 50 pages for me was the weakest of the book. These sections dealt with hardcore wrestling (from ECW to “death matches,” where everything from bats to light bulbs are used) , to how the wrestlers The Hardys’ used the TNA Deletion angle into a mini movie (along with Lucha Underground, which adds a science fiction flavor to the productions in filming), and interviewing Omega on his take on storytelling. Because I was not an ECW fan , or one of Lucha, this did not appeal to me, although the authors covered almost everything on the topic of storytelling to their credit. The Omega interview was laughable to me , because of the way he explains his matches to the writers, which makes it as if he is very serious about his role in wrestling, yet this is the guy that used blow up dolls, dressed up like video game characters, and he (along with another team I can not stand, The Young Bucks), average around 200 super kick moves in each match. His interview section made him look like Randy Savage, who was known at times to have pages of ideas and moves for just one match. I am not saying Omega is not an athlete, but I never understood the appeal of many who state him as one of the top wrestlers in the world, when he does the same move 15 times in a match. I am sure he is a nice person outside of the ring, but I am not a fan of his, and his take on storytelling sounded like he was the Charles Dickens of wrestling, with every little move and segment carefully planned months in advanced. However, if the only problem in the book is my personal dislike for certain type of match or wrestler, the writers did an amazing job with detailing the subject.

The best part of the book is the first 200 pages, with all the classic wrestling tales and history, from the early masked men (and possibly the first person to ever wear a mask that got major attention), to a wrestler in matches against alligators, fans will love the classic stuff. If you are a newer fan, there is about 50-70 pages on the newer style of wrestling, from the decline of WCW, the “Attitude Era” with Shawn Michaels, to the impact of Dave Meltzer’s dirt sheets. The book is sectioned nicely, with subtitles in each major chapter, basically in three parts. The writing is easy to understand ; telling the events with interviews woven in, to where it is entertaining and a history lesson combined, without a ton facts and dates cluttering up the pages. Regardless of the cover photo ( if you’re like me and not a fan of Omega or these newer gimmick matches that is covered in the last 50 pages), don’t judge a book by the cover, and enjoy great wrestling history with the first three fourths of the book.

 

This review copy was sent courtesy of the publisher

 

The Pro Wrestling Hall of Fame The Storytellers from the Terrible Turk to Twitter (ECW Press, 2019) ISBN: 9781770415027 (softcover) 9781773054223 (PDF), 9781773054216 (ePub) can be found at http://www.ecwpress.com

 

For information about the authors, go to:             http://www.slam.canoe.com/Slam/Wrestling/home.html

 

 

The Overall:

Pages: 304

Language: Moderate

Geared For: 13 and Up.

For Fans Of: Wrestling History, Professional Wrestling, Sports

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Halloween 2018 Part Boo (I Mean Part 2)

 

Every year for my Halloween post, I usually list several horror films that I have seen over the year that needs attention. Most of them are movies that either flew under the radar, or are the classic older films that many have forgotten about. This year I decided to do something different, and I hope, entertaining. The past year I have been able to review many books and have contact with many authors and publishers, and have had the pleasure of emailing several of the writers on a normal basis. I thought that I would survey several people and ask them what films should they suggest you watch during Halloween. Keep in mind, I did not ask them to list their opinion of the greatest of all time, just what films they would suggest to be good to watch, along with choosing any category-they could list all vampire films, all slasher films; just whatever they wanted. Since I received several great responses, I decide to put it in two parts. Here is Part 2 of my Halloween special.

 

I am excited that Mike Perry agreed to submit to this year’s page. I am a fan of his webpage and Facebook page, called Mike’s Take On the Movies. He covers his love of film, including showing photos of his massive collection of movies and posters, not just horror films, but all films (Go to his site to see his movie room!). His page also informs people of films that some may never heard of, especially me, but he also shares a liking to one of my favorites in the past few years “Horror Express”. He decided to theme his choices with pairing actors Peter Cushing and Christopher Lee. Here is what he wrote:

       As Halloween approaches it seems everyone has a list of horrors to see and there’s usually very little that interests me when it comes to seeing the ones splashed about it newspapers or movie magazines you pick up in the lobby of the theater you’re attending. Why you ask? It’s simple. They generally cater to the masses. People who have no idea that movies existed prior to the current decade. I might be a bit harsh with that statement but go ahead and randomly ask a 20 year old at the office who Vincent Price is.

 

To be fair, some of these lists might have Rosemary’s Baby on it or maybe Robert Wise’s The Haunting and of course The Exorcist, but for the most part they are films of a more recent vintage. Which brings us to my pick for the top five Christopher Lee and Peter Cushing duets. I’m not going to get critical on these but rather base it on the ones I enjoy the most. If we were going to base it on critical praise then I would suggest the top two would be 1948’s Hamlet and 1952’s Moulin Rouge. Yes for the uninitiated, the legendary icons of horror cinema were attached to both the Oliver and the Huston films. Lee to a lesser degree than Cushing.

 

Now on to my five faves though I’ll admit I hate narrowing the field to just five and before I start I am listing these in order of their release dates as opposed to a favorite on down.

The Horror of Dracula   (1958)

Is there really any doubt? This one is the best that Hammer has to offer in my mind and made Lee an international star. Not only is Lee the best of all Draculas’ but Cushing is by far the screen’s greatest Van Helsing. A Coles Notes version of Stoker’s story but it’s a classic that gets better with age and tops many historian’s list of the best horror film ever made period. Saw it as a kid on late night TV and rarely does a year go by I don’t give it another look. Great score from James Bernard adds to the thrills.

 

The Hound of the Baskervilles   (1959)

Cushing as Holmes is really an extension of the physicality and the energy he brought to the Van Helsing role. He’s perfectly suited to the Sherlock character and I’ve always mourned the fact that the studio never continued the series with Peter taking the lead joined again by Andre Morell who made an excellent Dr. Watson. Joining in the fun is Lee as Sir Henry Baskerville. marked for death it’s up to Dear Peter to save him not only from the Hound but also who is behind the beast and controls who it kills. Like Dracula, this is another effort from the great Terence Fischer.

 

The Mummy   (1959)

Again it’s Terence Fisher breathing new life into the Universal Monsters of old. Who better than Peter to play the archaeologist and Chris to take on the role of Kharis. The two are pitted against each other when Peter unlocks the tomb of the Princess Ananka. The color photography is a welcome addition to the tale when we compare this film to the Chaney films of the 40’s. Lee’s powerful performance as Kharis is not to be overlooked and his size is most intimidating as is his speed that must have been a surprise to those in ’59 accustomed to the slow walk of Chaney. Don’t get me wrong, I love Lon’s film’s as well. Once again Peter delivers a wonderful performance and as usual is playing with props throughout. Hence the nickname Props Peter.

Horror Express   (1972)

What really makes this fantastical plot of Sci-Fi and Horror work is that Lee and Cushing begin as adversaries yet must team up to battle a demon from outer space on board a snowbound train. The fact that they appear on screen together for the majority of the film gives fans a chance to see them interact throughout. Not something we’re used to seeing. No one plays arrogant on screen like Lee did and Peter’s man of science is hoping to get a look at what Lee has found in the ice and is transporting aboard the train. It’s a bloody affair and Telly Savalas only adds to the fun chewing up the scenery as only he can. Best scene in the film is when Lee and Cushing are mentioned as possible hosts to the alien being. Accused of being a monster, offended Peter states defiantly, “Monsters? We’re British.”

 

Dracula A.D.   (1972)

For years I believe this film was trashed but time has a way of changing opinions and as the years have gone by it’s finally found an audience who appreciate it for it’s campy fun, Cushing’s return to the series as Van Helsing and Lee’s vampire looking more menacing here than in perhaps any other film that he essayed the role. Stephanie Beacham and Caroline Munro appearing has to be considered a major plus as well. Not only do we get one battle to the death between the two titans of horror but TWO. The film is bookended between their first battle in 1872 and their final one 100 years later. Cushing carries the film and Lee’s Dracula remains in a Gothic setting where the blood flows freely. Very under appreciated but thankfully time has I believe begun to change that opinion.

 

The list called for just five titles so left by the wayside are a pair that I love to revisit but decisions had to be made. From Amicus, The House That Dripped Blood which is more of an ensemble piece with the two never sharing the screen together and Hammer’s The Gorgon. A film I revisit often thanks to my two sons enjoying the film as much as I do.

I’m sure I’ve ticked off someone by omitting their favorite choice but surely Scream and Scream Again or Arabian Adventure are not the reasons why.

 

 

I contacted writer S.L. Baron, who writes vampire books, and likes horror style writings, as well as movies. S.L. Baron isn’t a full-time writer but keeps wishing she could quit her day job. She’s been scribbling down stories since she was a small child, and she’s glad the evidence of those stories no longer exists. After reading Anne Rice’s Interview With The Vampire, she found her Muse. She’s been obsessed with vampires and other types of immortals ever since. When she’s not writing about her own Children of the Night, she reads all she can get her hands on about these and other supernatural creatures.

 

S.L. grew up near the shore in the New Jersey Pinelands but lives in West Virginia. She graduated from West Virginia University with a Bachelor of Arts in psychology. Keeping her company is her partner in crime, Tim.

 

Her picks are the following:

 

1.What We Do In The Shadows (2014)

I’m going to start out with a goofy one here. I love and write about vampires, but I can’t pass up a movie that takes a swing at them either. What We Do In The Shadows is a mockumentary following the exploits of a group of vampires— Viago, Vladislav, Deacon, and Petyr—who share a house in a suburb of Wellington, New Zealand. A crucifix-wearing film crew follows the vampires as they try to adapt to life in the 21st century. We get to see how the vampires cope with day-to-day life and past relationships, which, as an immortal, could get pretty complicated.

I love how this movie took supernatural/paranormal creatures and incorporated them into the mundane world…because, honestly, who hasn’t wondered how an 8,000 year-old would react to cellphones?

2.Let Me In (2010)

 

Let Me In is an American-British remake of the Swedish film Let The Right One In from 2008. It follows the story of Owen, a bullied twelve-year-old boy, and Abby, the young girl who moves in next door to him. The two become close friends and communicate through Morse code on the walls of their apartments, but Abby has a dark secret: She’s a vampire. Abby becomes the only one he trusts enough to confide in about his treatment at school, and she encourages him to retaliate and vows to protect him. After finally revealing her true nature to Owen, she tearfully leaves town. But, despite her departure, she returns to save Owen from the bullies who finally go far enough to try to kill him.

The idea of child vampires intrigues me! How would they mature and behave being locked in such a youthful body? I think Let Me In explores the idea quite well.

 

3.The Exorcism of Emily Rose (2005)

When nineteen-year-old Emily Rose dies of malnutrition and self-inflicted wounds following an attempted exorcism, the Catholic priest who performed the rite, Father Richard Moore, is arrested and put on trial. Though the diocese wants Father Moore to plead guilty, he refuses, instead hoping his lawyer, Erin Brunner, will let him tell the truth behind Emily’s death. The story of Emily’s possession and failed exorcism are told through flashbacks and evidence presented by witnesses at the trial. Though Brunner doesn’t believe demonic possession is possible, she begins to experience terrifying supernatural phenomena at her home, making her question her own beliefs and begin to see that the priest is telling the truth, a truth she will risk her job to prove in court.

There are a few things about this movie that appeal to me. The first is exorcism. I was raised a Roman Catholic, but exorcisms are one of those taboo subjects never discussed in our studies. I think that gives it a certain mystery that makes me want to delve deeper into it. The next thing that draws me to this movie is that it’s based off the exorcism of Annaliese Michel, which took place in Germany, 1976. The thought that a real person experienced what Emily Rose did is a chilling one. Finally, the thought of losing control over one’s self to demonic forces is a psychologically disturbing, making it a great horror movie to me.

 

4.A Girl Walks Home Alone At Night (2014)

While Arash, a young Iranian man, works hard to take care of himself and his heroin-addicted father, a mysterious, young woman clad in a chador roams the streets, skateboarding and bedeviling the less desirable residents of Bad City. One of these undesirables happens to be Arash’s father’s drug dealer who learns too late that the young woman is a vampire and he her meal. As the vampire leaves the the dealer’s apartment, she passes Arash who has come to pay money his father owes. Seeing the dealer dead, Arash takes his stash of drugs, hoping to earn some money to make his living situation better. At a costume party, he attempts to sell ecstasy pills. A young wealthy woman he had worked for convinces him to take a pill, and, as he wanders the streets alone and high, he encounters the vampire. The vampire takes Arash to her apartment, but resists the urge to feed from him. Arash becomes infatuated with the woman, but she isn’t the innocent he imagines.

I think what I love most about this movie is the idea of a female vampire in a Middle Eastern country. Almost every country and culture has a vampire myth of their own, but we don’t often see movies explore how they would behave in areas outside of Europe and North America. This movie does just that with a brilliant dose of dark humor, horror, and romance.

 

5.Zombie Strippers (2008)

Bear with me on this one. Zombie Strippers is campy, raunchy, and full of nudity, so it’s not for everyone out there. Despite all that, it’s also a political satire that takes a stab at George W. Bush’s presidency, which I won’t give away here. In it, a Marine, Byrdflough, who is a member of the “Z” Squad tasked with destroying test subjects in a failed government experiment to bring back the dead, gets bitten by a zombie. Upon waking as a one, he finds his way to a strip club and attacks the club’s star dancer, Kat. When the owner, Ian Essko—played by none other than Robert Englund of Nightmare on Elm Street fame—sees how much money his undead dancer is raking in, he encourages others to get bitten. Essko tries to keep the zombies in cages, but when they break free, the remaining humans in the club must fight to survive.

 

LIke I said, this one isn’t for everyone! I, however, am not one of those people. I couldn’t stop watching, but I was an exotic dancer and I have a twisted sense of humor (possibly from said job). I enjoyed how well the writers portrayed the rivalries that develop between dancers and how greedy the owner is to let his employees get infected for profit. This is an utterly ridiculous movie, but one I can watch over and over.

 

 

I thought a Halloween poll would be fun this year as well. Here are the final results, from those that voted via Facebook, Twitter, and those I asked in person. Some of the tallies were very interesting.

 

Halloween Poll Results:

Best Horror Actor of all Time

  1. Vincent Price   90% 2. Bela Lugosi 10% 3. Boris Karloff 0% 4. Peter Cushing 0%
  2. Christopher Lee 0%

Best Horror Villain:

  1. 1. Michael Myers   45.45% Frankenstein Monster 18.18% 3. Dracula 27.27%  
  2. Freddy Kruger 9.09% 5. Leatherface 0%

Best Series:

  1. 1. Friday The 13th 30%   2. Halloween 30% Nightmare on Elm Street 20%    
  2. Saw 10%     Texas Chainsaw Massacre 0%

Most Classic Film:

  1. 1. Frankenstein 28.57%   2. The Wolfman 28.57% Psycho 14.28%   4. The Shining 14.28%       5. The Exorcist 14.28%     Bride of Frankenstien 0%   Halloween 0%

 

 

As for me, I chose to theme films that are seem bad, whether from the effects some other odd aspect, but are actually good films that I enjoying watching. In no order, here are a few choices:

 

  1. Suck (2009).

            This is a black comedy/Canadian Indy about a rock band that hasn’t made it big in Canada. While touring, the female bass player (Mad Men’s Jessica Paré) gets turned into a vampire, and needs to feed. The music is pretty bad, but the jokes are funny (especially if you were ever a musician). It has appearances by Rush’s Alex Lifeson, Iggy Pop, Henry Rollins, Malcolm McDowell, and Alice Cooper.

 

  1. Kiss Meets The Phantom of The Park (1978)

            I remember anxiously awaiting this TV movie to be shown as a kid like many Kiss fans at the time. After seeing it, we wondered “what did I just see?” What better way to captialize the band in a movie, like The Beatles did, than have Hannah-Barbara produce the film? Even though some Kiss fans (and band members) hate the film, it is a guilty pleasure film, which debut on October 28, 1978. The cartoonish effects, bad stunt men, and cheesy one -liners makes this film a cult favorite. If you really want to get an extra feel to the film, listen to Chris Jericho’s podcast episode from July 2018, where he and his friends decided to watch it.

  1. The Strangers:Prey At Night (2018)

            I never saw the first Strangers movie, but I thought the cover looked cool when I got it at my local library. The plot is a simple slasher film, where a vacation at a mobile home park goes wrong for the family visiting, when three masked people start attacking. Even though the theme has been worn out, this was enjoyable, especially with the placing of the music in the film with 1980s hits by Air Supply and Bonnie Tyler. If you liked the placing of the music in Marvel’s Deadpool movies, this is very similar, and becomes more humorous than scary. When’s the last time you laughed during a slasher film?

 

  1. The Gorgon (1964)

            Mentioned earlier by Mike’s picks, this Hammer film is one I watch several times a year , not just for Halloween. The Christopher Lee/Peter Cushing film is a what films used to be about; a plotline, suspense, and a climax. No CG effects, just some rubber type masks, but it still is a great film. Although many film fans discovered the myth of the Gorgon through 1981’s Clash of The Titans, this older film builds up the story of the creature turning people into stone when looking at them. This is a horror film that can be watched as a family film (about age 7 I’d say) without much gore and adult themes like most films are about today. This film is not mentioned enough when Hammer films are discussed.

  1. The Wasp Woman (1959)

            Also known as The Bee Girl or Insect Woman, this Roger Corman film stars Susan Cabot who runs a cosmetic company and is trying to keep the company relevant, although she is aging as the spokesperson. She meets a fired scientist who can extract enzymes from bees to keep her young. However, there are side effects to the experiments. Corman was known for his Edgar Allan Poe movies with Vincent Price, but this one is like The Gorgon, where it is not long in length (73 minutes), and although today’s fans may laugh at the effects without CG, it is a good family horror film.

 

A few other films that I recommend this season is 2018’s Winchester (if you like suspense/supernatural themes instead of action horror) and Insidious: The Last Key, and the 1970 Spanish film The Wolfman vs The Vampire Woman. Of course, you can always serach the archives here for my past Halloween picks too (just type in “Horror Films” or “Halloween” in the serach engine, or scroll down the “Archives” link to the past year’s October month.)

Thank you to all the contributors for Parts 1&2, and those that voted in the poll as well!

Happy Watching!

 

Mike Perry’s pages can be found at: https://mikestakeonthemovies.com/

and https://http://www.facebook.com/mikestakeonthemovies/

 

You can find S.L. Baron’s books on Amazon, and at https://twitter.com/AuthorSLBaron facebook: https://www.facebook.com/AuthorSLBaron/

Instagram https://www.instagram.com/authorslbaron/

 

Book Review: Say Yes to Chris Jericho’s “No”

Following Chris Jericho for me has gone back many years. I first started watching him in Jim Cornette’s Smoky Mountain Wrestling, and became a fan of his in Ted Turner’s World Championship Wrestling. I met him in 1998 in Boardman, Ohio at a WCW signing event, where he talked about his love for Christian Metal bands. I had the honor of writing a review for his last book in 2014 (“The Best in The World”) for Slam Sports Wrestling in Canada. I am a constant listener to his podcast “Talk Is Jericho,” and I used to read his columns in Metal Edge magazine in college (which I still have in my collection).

Chris Jericho has been an actor, wrestler, writer, podcaster, dancer (he was on the TV Show “Dancing With The Stars”) and a singer of a Hard Rock band, so who better to write a book on achieving a person’s life goals than Jericho? In his latest book, “No Is A Four Letter Word: How I Failed Spelling But Succeeded In Life,” (Da Capo Press) Jericho takes the reader through his successes and failures in life, along with the valuable information he learned throughout his journeys.

Each chapter of the book deals with advice that Jericho offers, called Principles, named after a celebrity, such as The Gene Simmons Principle, The Paul Stanley Principle (who writes the book’s Forward) The Vince McMahon Principle, and even The Yoda Principle. Each chapter has stories explaining the Principles from Jericho’s life, including when he met Rolling Stones’ Keith Richards, when his band Fozzy played a concert on the Kiss Cruise (which didn’t go quite as planned), and explaining WWE Owner Vince McMahon’s work ethic.  The topics deal with ideas enjoying the moment, eliminating negativity, let failed attempts in the past, and advice that a person never knows who is watching them. The topics deal with everyday issues, from the workplace to achieving a goal in the person’s life.

Jericho provides great stories such as his encounter with Yoko Ono at the Rock and Roll Hall of Fame Ceremonies, meeting Gene Simmons at the Kiss founder’s house, and meeting Alice Cooper’s manager Shep Gordon. There are also wrestling stories with backstage tales of his recent WWE programs with Dean Ambrose and A.J. Styles.  Some funny tales include being on a Fozzy tour with the band Saxon that involves a chicken, when he sang at Lemmy Kilmister’s  (of the band Motorhead) 70th Birthday Concert, and a story dealing with management of the band The Scorpions for his podcast that is not only humorous but also makes the reader just as frustrated as Jericho was during the event.  These stories all are combined throughout the book with one liner references to Star Wars, The Blues Brothers, Kiss, Kool and The Gang, and The Nelson Brothers (and it wouldn’t be a Chris Jericho book without some Canadian Band references like Kick Axe).

Some self help books by celebrities are laughable when someone who was born into money tries to tell someone how to achieve goals, but Jericho’s advice is from someone who really paid dues and failed in order to achieve his goals of being a pro wrestler and a singer in a rock band. This book is filled with interesting tips (some are even common sense) with a touch of humor. With this being Jericho’s fourth book, one would think there is not much left for him to write about, but that is not the case.  One does not need to be a wrestling fan in order to enjoy the stories and advice that this book entails.

 

To read my previous review of Chris Jericho’s other book, go to http://slam.canoe.com/Slam/Wrestling/Reviews/2014/06/13/21738661.html or to read my other published reviews, go to www.llumleyportfolio.wordpress.com

For more information on Da Capo Books, go to www.Dacapopress.com