Childhood Classic: Sha Na Na Still Brings The Memories

Sha Na Na was released by Karma Sutra Records in 1971

 

 Every once in a while, I will be reviewing a release from my childhood or musical past that made an influence on me. Some of these will be well known, and others may have been passed by under the radar. Most will not be in the hard rock/metal genre. You can see some of those in that genre written by me in the Retro Review section on the webpage Sleazeroxx.com.  With the 50th Anniversary of Woodstock this year, I thought this would be the perfect time for this release.

 

Before MTV came along, music listeners had to watch their favorite music acts on television, via shows like Solid Gold, American Bandstand, and variety shows. Two of the biggest acts that had their own variety show when I was growing up were The Bay City Rollers and Sha Na Na.

Even today in 2019, some people do not give Sha Na Na the respect they deserve. The band was started at Columbia University, where some of the members were studying graduate work. The act was featured in movies like Grease, American Graffiti and on Happy Days. The fact that they provided almost a whole side of the Grease soundtrack, which is one of the top selling movie records of all time, should say something right there (plus singer Scott Simon co wrote the song “Sandy” for the movie, which was a hit for John Travolta). They even played the original Woodstock Festival, right before Jimi Hendrix performed. Their variety television show lasted almost four years to many viewers, which provided music, comedy, and other guest stars. The band’s popularity was not only due to bass singer Jon “Bowzer” Bauman , but had quality musicians including Lennie Baker (who played with Danny and The Juniors) and Henry Gross (of the hit “Shannon”) was in the early lineup. The group’s greaser look, as a tribute to the 1950s -1960s music acts, gave a historical lesson to listeners like me who were too young to remember those days of music.

The act released several albums, mostly of cover songs from the early rock era, but one album that I listened to frequently from my childhood was 1971’s Sha Na Na record, known among followers as the “Gold Boots” record, due to the album cover.

The first side is a live concert from Columbia University, filled with the early rock staples like ” Yakety Yak,” Great Balls of Fire,” and “I Wonder Why.” These covers are great capturing the live energy of the band, including Bowzer’s bass parts on the up-tempo versions of Gene Chandler’s “Duke Of Earl” and “Blue Moon,” which ended up being a slower version on the Grease record.

One of my favorite songs off the first side is the cover of Ray Peterson’s “Tell Laura I Love Her,” which has a pop feel to it. I list this song as one of the few songs that is better than the original. Peterson’s version has a folk sound to it, where I like the more rock style that the act brings, with Johnny Contrado on lead vocals and the drumming by Jocko Marcellino. I used to love playing this version on my drums when I was younger, and wanted to play it in the bands that I was involved in, only to be vetoed each time.

The last song on the release, “Rock And Roll Is Here To Stay,” a tribute to Danny and The Juniors, is a memory for me only because there is a F- bomb thrown in there before the song. Before parental warning stickers, I wonder to this day how it got kept on the release, and how I listened to it for years and my parents never noticed it.

The second side is where I think the band impresses me the most, with studio songs, almost all written by Scott Simon. “Only One Song” has a ballad that has The Beatles-like harmonies and studio production on it that if I played it to a stranger , they may not know it was Sha Na Na. The song is wonderful and one of my favorites to this day from my childhood.

“Depression” has is a guitar driven song that I remember for being the theme song to my toy wrestlers. I was a big wrestling fan growing up, and would play with my wrestling figures (even using my G.I. Joes when I didn’t have enough figures). I would make up my own characters and created my own Supercards, where my figure who I chose to be me, would be on the same cards as wrestlers like Hulk Hogan, Nick Bockwinkel, and others, regardless of the league they were in. Being a fan of the tag team The Rock N Roll Express, I would use “Depression” as my theme song. The rhythm and guitar work was perfect for my imagination.

“Canadian Money” is a song I always play when I get this record out, even sometimes just to hear it. A slow acoustic feel to it, talks about sites in Canada. I recently researched information for the song, and it has been mentioned that it was a protest song for the Vietnam War, with it’s line “No great Army doing it’s duty/Making waves across the sea.” If it is true or not, I love the song, and it should have been a release from the album.

One song that did chart from the band is “Top 40,” which has a old Southern Gospel feel to it, with some humorous lyrics. The song hit #84 on the Billboard charts. The song tells the story of someone who asks if they are going to be a hit in heaven because they were one on earth. The lyrics “Are you on the Top 40 of your Lordy?” has the tongue in cheek lyrics gives the song an unique take on heaven and how to live life on earth.

“Ruin Me Blue” reminds me of something that would have been on one of my favorite all time TV shows, W.K.R.P. in Cincinnati. It has strong piano and guitar work that drives the song, although the lyrics are pretty simple.

The final track , written by drummer Jocko, “Just A Friend” has a Rolling Stones-feel to the song. I think it is the weakest of the studio tracks, but the band still gets credit for writing some original work.

Sha Na Na may have started out as a novelty act, but listening to this record shows that the members had talent. The act has always been a guilty pleasure of mine, even finding some of the TV shows on Youtube to watch to this day. They were not a bunch of street gang people that they portrayed on television; these guys had talent and also had graduate degrees- they consisted of lawyers, writers, and great musicians who worked with some of the acts they covered. Bowzer has been an advocate for decades for preserving the names of the originals acts of the 1950s and 1960s, to where the groups have to let the public know how many original members are still in the groups.

The cover of this record , along with the music, takes me back to a great time of my early music childhood, being one of the first records I can remember getting as a child.

 

Track Listings:

  1. Yakety Yak 2. Jailhouse Rock 3. Duke of Earl 4. Tell Laura I Love Her 5. Blue Moon
  2. I Wonder Why 7. Great Balls of Fire 8. Rock And Roll Is Here To Stay
  3. Only One Song 10. Depression 11. Canadian Money 12. Top Forty 13. Ruin Me Blues
  4. Just A Friend.
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Book Review: Debut Author Geared For The Ladies

Kingdom Come: Finding Holy in the Here and Now by [Zaldivar, Melissa]
Cover Design by Jody Waldrup. Cover Copyright 2019 by Hachette Book Group, INC

There are many reasons why a reviewer may not like a certain book. For me, there are several, from just not being in the mood of the tone and style of the author, the topic sounded good at the time and then the writing goes into a different path, or it just doesn’t connect with the book at the time reading (there have been times that reading the same book later changes my view). I mostly read my books right before going to sleep, so whatever goes on during the day before that than can have an influence on it. Finally, reviews are just opinions, and I may just plain not like the book, but has nothing to do with the writing or author. I respect how hard it is to have the drive to not only write something, but find a way to put it out to the audience (either self publishing, or finding an agent and company).

Kingdom Come : Finding Holy in the Here and Now ,by Melissa Zaldivar, (Faithwords Books, 2019 ) is a book that did not resonate with me. The book seemed interesting to me at first, with the topic of looking at the Kingdom and Presence of God, how to find discernment between the two, and use it in the Christian walk.

The author defines the Kingdom of God as things that are under God’s rule, whereas the Presence is the reality of what happens when people encounter God. With that said, the writer takes the reader through certain aspects that are needed to know about the two, while encouraging the reader to dig deeper into their own hearts and embrace facts like learning to know God’s timing, the difference between kindness and niceness, finding time to seek the presence, and risk taking.

The writer gives great examples throughout the book (some Biblical ), such as asking how people in today’s society can get into God’s presence when we can’t get off our cell phones for two minutes without checking on it (even if it is on vibrate), using the examples of how blindness is symbolic in the Bible (both spiritual and physical), and how to view the fact that Christians do not let go of things; thinking the worst endings is the result, instead of trusting God.

While these are all great ideas, and written in ten chapters, the beginning several chapters were a struggle to get through, especially the first one, where I would keep staring at the words and wondering what it is I read. Zaldivar ‘s bio states she holds a Master’s degree in theology, which may present the first part’s problem of not being clear cut (at least to me) of the book’s goals. However, once the reader gets deeper into the book, the chapters and points flow nicely, such as the two chapters on risk taking (which is the best in the book), and the chapter on fear with an in depth look at Peter of the Bible, which was just as enjoyable.

Another problem for me is that many of the personal examples Zaldivar uses are vague and tended to turn me off. Maybe this book is geared more towards women, but after every other page of the examples such as ” I was dealing with something at this time of my life” (the quote is mine for example, not the hers), I got bored and agitated. I understand that the reader does not need to have total access about the writer’s life, and some things do not need to be known, which may be too personal for her to reveal, but other examples could be more entertaining and helpful in order for the reader to embrace the theme of the book. Also, after every situation, she writes that she would break down and cry, or give examples of “after this, I ended up crying” (again not actual quote). This may be where the female audience would get more out of the book, and this is not to sound judgmental of the emotions and passion the author has on the subject and her past experiences, but as a stranger reading the book, it, along with the vague examples, took my attention off of the points being made.

Zaldivar’s first book is for a select audience, and not for everybody. Her writing is down to earth and not over the head of readers (with exception of the first chapter which was a fight to get through). Her style is nice, and for a first time writer, she has some wonderful Biblical examples using Judas, Peter, Eve, and Ruth from the Bible, and would been better to use more of these , or use other people’s tales to help out with some of the points, instead of the vagueness of many of the situations. She knows her topic well, and at times, shows the emotion that she wants the reader to experience as well, which would be nice to see more of it to get her point across and add emphasis to the ideas being presented. Besides of these critiques, she will get her following with her writing style, and have a nice writing future if she sees fit.

 

This review copy was sent courtesy of the publisher.

 

Kingdom Come: Finding Holy in the Here and Now (Faithwords, 2019) by Melissa Zaldivar ISBN: 978-1-5460-1083-8 (hardcover) , 978-1-5460-1081-4 (ebook) can be ordered at : http://www.faithwords.com

 

For more about the author, go to: melissazaldivar.com

 

 

The Overall:

Pages:213

Language: None

Geared To: Ages 15 and Up.

For Fans Of: Christian Living, Growth, Christian books, Spirituality, Women Studies

 

Book Review: Wrestling Book Tells A Historic Story

Front cover photo: New Japan Wrestling. Cover design Tania Craan.

 

I am not going to write a positive book review just because one of the writers of The Pro Wrestling Hall of Fame : The Storytellers from the Terrible Turk to Twitter (ECW Press, 2019) is Greg Oliver, along with Steven Johnson. I strive, and take pride in writing honest reviews, where many of the publishers and writers have complimented me on with their books. Since I have written for Oliver’s wrestling site , Slam Sports, in the past, it will not sway my review.

I saw the book online, and the cover immediately turned me off , with the photograph of wrestler Kenny Omega and Chris Jericho from their New Japan match. I still like Jericho as a wrestler, a businessman, and a writer. I have never seen the appeal of Omega, where the internet darlings, who also helped many of the ECW wrestlers in the day think they were better in the ring than they really were, praise him constantly, yet don’t know anything about when wrestling was believable. I personally would not seek out a book with Omega on the cover period. When the book came in the mail from the company, I figured I might as well give it a chance, you know the old saying about a book’s cover.

I had no doubt that something with Oliver’s name on it would be well written, but this book was wonderful in detailing the early days of wrestling, to the territories days, and beyond, when it came to the various aspects of storytelling in the ring (and out of it). The early parts of the book describes the history of promoters taking wrestling from the carnival days, to the days of Ed Lewis and his promoter manager, and making wrestling a global attraction. There are stories about how several promoters in the business , before Vince McMahon Jr. ever did in the late 1980s-1990s, publicly announced the business was not legit, and was more entertainment.

The book tells tales about the early “first blood,” ladder, and blindfolded matches, along with the strange matches involving monkeys, bears , and yes, even fish. The first cage matches, and the first manager heel, Count Rossi, are covered in the easy to read, short chapters. Announcers such as Bill Mercer, Dennis James (who is considered the first national wrestling announcer), and the return of Tony Schiavone, along with the announcers’ roles in keeping story lines going, are also part of the book.

The text covers times in the 1970s and 1980s when wrestlers needed a crazy story to boost business gate receipts, such as throwing the title belts into rivers and lakes (which was done many times before The Rock and Steve Austin did it in WWE), to how important the wrestling magazines were in helping get wrestlers over to the fans.

There are many wonderful stories about classic characters like Jack Pfifer, Jim Barnett, Dr. Sam Sheppard (who was the inspiration for the TV show The Fugitive, and had ties to my hometown, near Youngstown Ohio), to wrestlers who went on to be actors in Hollywood, like Alex Karras (Mongo from Blazing Saddles) and Victor the bear. The writers used many interviews (the credits state over 200) from people like Tom Prichard, Court Bauer, Jim Cornette, Kevin Sullivan, Bobby Fulton, and Eric Bischoff.

Another interesting part of the book (besides the first 200 pages filled with the older history of wrestling) is the section on the importance of the current day writers. I agree that wrestling today is way too scripted when it comes to writing story lines and interviews (they don’t come off as legit and too rehearsed), but the interviews with former WWE and TNA writers taking the reader behind the scenes to what goes on weekly was an informative. Another entertaining part included the wrestling magazines section, where during the pre-internet days, fans had to visit to the local newsstand and buy wrestling magazines (which I have many from the late 1980s-1990s) to keep up with what was going on, because most newspapers did not cover wrestling.

The last 50 pages for me was the weakest of the book. These sections dealt with hardcore wrestling (from ECW to “death matches,” where everything from bats to light bulbs are used) , to how the wrestlers The Hardys’ used the TNA Deletion angle into a mini movie (along with Lucha Underground, which adds a science fiction flavor to the productions in filming), and interviewing Omega on his take on storytelling. Because I was not an ECW fan , or one of Lucha, this did not appeal to me, although the authors covered almost everything on the topic of storytelling to their credit. The Omega interview was laughable to me , because of the way he explains his matches to the writers, which makes it as if he is very serious about his role in wrestling, yet this is the guy that used blow up dolls, dressed up like video game characters, and he (along with another team I can not stand, The Young Bucks), average around 200 super kick moves in each match. His interview section made him look like Randy Savage, who was known at times to have pages of ideas and moves for just one match. I am not saying Omega is not an athlete, but I never understood the appeal of many who state him as one of the top wrestlers in the world, when he does the same move 15 times in a match. I am sure he is a nice person outside of the ring, but I am not a fan of his, and his take on storytelling sounded like he was the Charles Dickens of wrestling, with every little move and segment carefully planned months in advanced. However, if the only problem in the book is my personal dislike for certain type of match or wrestler, the writers did an amazing job with detailing the subject.

The best part of the book is the first 200 pages, with all the classic wrestling tales and history, from the early masked men (and possibly the first person to ever wear a mask that got major attention), to a wrestler in matches against alligators, fans will love the classic stuff. If you are a newer fan, there is about 50-70 pages on the newer style of wrestling, from the decline of WCW, the “Attitude Era” with Shawn Michaels, to the impact of Dave Meltzer’s dirt sheets. The book is sectioned nicely, with subtitles in each major chapter, basically in three parts. The writing is easy to understand ; telling the events with interviews woven in, to where it is entertaining and a history lesson combined, without a ton facts and dates cluttering up the pages. Regardless of the cover photo ( if you’re like me and not a fan of Omega or these newer gimmick matches that is covered in the last 50 pages), don’t judge a book by the cover, and enjoy great wrestling history with the first three fourths of the book.

 

This review copy was sent courtesy of the publisher

 

The Pro Wrestling Hall of Fame The Storytellers from the Terrible Turk to Twitter (ECW Press, 2019) ISBN: 9781770415027 (softcover) 9781773054223 (PDF), 9781773054216 (ePub) can be found at http://www.ecwpress.com

 

For information about the authors, go to:             http://www.slam.canoe.com/Slam/Wrestling/home.html

 

 

The Overall:

Pages: 304

Language: Moderate

Geared For: 13 and Up.

For Fans Of: Wrestling History, Professional Wrestling, Sports

Book Review: Educate Yourself with O’Neil’s Debut Book

Cover photo @ Craig Ambrosio /WWE. Cover image WWE. Cover Design Rodney Githens and Adam McGinnis.

 

If you have followed professional wrestling as long as I have (I started regularly watching in 1986, but watched on and off since ’84), you will know that not everyone can be the champion or in the main event. Back in the territory days, there were the main eventers, mid carders and developmental talent (also called “jobbers”). Now days, with few television time considering as many are on the WWE roster , sometimes a wrestler may not been seen for such a long time, that many may not know they are still with the company. However, they are no less important in the shape of wrestling; just because a wrestler isn’t on the shows every week, doesn’t mean they are not working the house shows or dark matches before the cameras come on, working with the upcoming stars or those coming back from injuries.

I admit the few times I have seen WWE wrestler Titus O’Neil was when he was put in goofy comedy spots. Yes, at one time he was a WWE Tag Team Champion , but all I really know about him is how much work he does outside of the ring with various charities and WWE community events.

After reading There’s No Such Thing As A Bad Kid: How I Went from Stereotype to Prototype , along with Paul Guzzo (ECW Press/WWE Books, 2019), I have a different view on who the person is behind the WWE wrestler, even if he does not get a lot of screen time.

The following needs to be made clear; this is NOT a wrestling book. Yes, he is a wrestler, and there are a few wrestling-related stories (maybe 3-4), but this is O’Neil’s take on how to educate, and help succeed, children from at risk environments, and trying to get them on the road to a better life, escaping drugs, gangs, or whatever they may be a part of and encouraging them to graduate high school and college and , in turn, give back to others.

The title deals with the fact that even though some children lash out at others, either school teachers, social workers, adults, and other kids in general, the label of them being a “bad kid” is not just. O’Neil, born Thaddeus Bullard, uses his own life as being labeled a “bad kid” as example to show how he overcame the stereotype with help from patient adults who saw a future for him in a different way, and encouraged him to achieve it, although the road was filled with obstacles and set backs. I do not give out spoilers, but just reading about O’Neil’s childhood (especially the relationship between his mother and other siblings) is a powerful and admirable testament to where he is today.

Being sent to various camps for at risk children, after constantly being disrespectful to schoolmates and teachers, O’Neil was taught through hard work, goals, and the right people in his life, he became the first college graduate in his family, along with playing football for the University of Florida under Steve Spurrier, and the Arena Football League before ending up in wrestling.

The only wrestling tales are used as examples to the topic of the chapters, which could be read all at once, or by using one chapter at a time, to show his opinions (and his life experiences and struggles), from the “Titus Slide,” where he ran to the ring for a match in 2018, only to slide under the ring before getting in it, to finally getting to train in the FCW league (what is now NXT). This book is more about educating-both adults and children- to look at our at risk areas with a different approach. Although I may not agree with all of his suggestions (being in the educational field at times myself), it definitely got me to look at things a little differently from my normal viewpoint. For instance some of his ideas may be hard to implement , such as getting more time in schools for the arts, when the schools have to spend some much time getting the students to pass the state standard testing (which many schools already spend the time on pre-tests, testing, make ups, practice tests, etc just on those tests as it is). I do agree with his statements on making the students have uniforms, so those without the top of the line clothing do not feel ashamed (of course then the subject of who funds them comes into play).

The various charitable things that he does when not on the road is not only admirable, but shows a love for what he does, without sounding like a braggart in writing about the events. Just because this is not a wrestling book, does not exclude the fine writing (short and easy to comprehend explanations) , and unique commentary on a problem here in the United States. O’Neil comes off as a person that one would like to sit down with at a coffee shop or restaurant, and pick his brain on many topics, without him having a judgmental attitude when the other person asks questions. Hopefully this book does not go unnoticed, especially being a WWE related book, where many of the wrestling books in past have been suspect at best (with the superstars being “in character” the whole time), because some may look at the cover and see the WWE logo on it and think it’s about wrestling. It’s about changing goals, achieving dreams, along with a touch of forgiveness and spirituality added. This is a book that educators, politicians, and anyone that works with , or wants to work with, children should read. This will , hopefully, make the reader want to get more involved with their communities to address a problem in our education system.

 

 

There’s No Such Thing As A Bad Kid: How I Went from Stereotype to Prototype by Titus O’Neil with Paul Guzzo (ECW Press/WWE Books, 2019) ISBN: 978-1-77041-491 (hardcover), 978-1-77305-425-4 (PDF), 978-1-77305-424-7 (ePUB) can be found at : http://www.ecwpress.com

 

For information about the authors: check out @TitusONeilWWE and @PGuzzoTimes.

 

The Overall:

Pages: 230

Language: Moderate

Geared For: Ages 12 and Up

For Fans Of: Social Services, Autobiography, Self-Help, Children and Youth, Biography

Childhood Classic : Barry Manilow 1989- Simple Title But Memorable Songs

Barry Manilow was released on May 2, 1989

Every once in a while, I will be reviewing a release from my childhood or musical past that made an influence on me. Some of these will be well known, and others may have been passed by under the radar. Most will not be in the hard rock/metal genre. You can see reviews in that genre written by me in the Retro Review section on the webpage Sleazeroxx.com, or on my online portfolio at llumleyportfolio.wordpress.com

 

My first exposure to Barry Manilow was during my sophomore year in high school. I took a theater arts class and one day we were listening to the song “Memory” from Cats. The title looked familiar to me, so I went home and dug around my parents 45s (remember them??), where they had two of Manilow’s records ; 1981’s “The Old Songs”/ “Don’t Fall In Love With Me” and “Heart of Steel”/Memory” from 1982. A few years later , I stumbled upon Manilow’s PBS special from England, which ended up being “The Greatest Hits And Then Some” release. I was mesmerized by the show, and had to listen to more of his music. I played those 45s over and over again to the point where I needed some newer material. I saw an ad on television in 1997 that Manilow was coming to Starlake Amphitheater in Burgettstown , P.A. I had to get tickets to see him. My mother took me to the local National Record Mart, so I could get tickets the day they came out. If it weren’t for her, I would not have been able to see him. She gave me her credit card to use, and when the guy printed out the tickets, he mentioned that it was cash only (although there was nothing stating that before the sale date or at the store itself in the ticket policies). Luckily, she had cash on her, and I was shocked at the price of the tickets; I saw my first concert in 1991 with lawn seats at the same amphitheater for 18 dollars. Each ticket was $40 for Manilow, plus service charge, which was a lot back then (but they ended up being like 10th row-and now some of his seats go for over $100) .

After the show, I had to get some more Manilow releases (I had the cassettes of the 1978 Greatest Hits and the 1989 Volume 1 which I got from the BMG music club.) . I went to Best Buy, and the only CDs they carried were the Greatest Hits from 1989 (Volumes I, II and III), along with his self titled 1989 album. I chose the self titled one as my first Manilow CD.

Some fans have dubbed Barry Manilow as the “purple album”, because he released several other albums with his name on it; his debut in 1973, Barry Manilow II (1974), 1980’s Barry, and 1985’s Manilow. Whatever fans want to call it, it was an unique album for many reasons besides the title; all but one song had outside writers on it (Manilow usually wrote or co-wrote most of his songs, and allowed few outside writers at this time), it had a polished production, and it was his last all original music until 2001, where besides some live releases, he released covers and themed albums from Broadway, the Big Band era, and the 1970s (The Summer of ’78 album is highly underrated) . It was also one of the longer run times from previous records , almost an hour long.

The opener “Please Don’t Be Scared,” is a wonderful ballad to start off the record. Manilow still sticks to the formula of loss, love, and hope in his songs. This first track , with the lyrics “Someday someone will make you glad you survived” brings the hope theme into play , while struggling to see the bigger picture in life.

“Keep Each Other Warm,” is a cover of the British group Bucks Fizz, and became a hit on the AC charts for Barry at #7. The soulful/ R&B song would have been placed perfectly along the radio songs by groups like Surface and Breathe. Unfortunately it was never played in my area stations in Youngstown, Ohio (where the local station was, although I live in Columbiana, Ohio, twenty minutes or so away). Manilow’s take on this song has more power to it instrumentally, where the original sounds like an ABBA cover band.

Songs like “Once and For All, ” and “The One That Got Away” continue the polished 1980s feel , where “The One That Got Away” has a simple chorus lyrically , which Manilow pulls off, even though it is some of the weaker songs on the release. Even though they are weaker than the others, a weak Manilow song can still be better than some artists’ best work.

“When the Good Times Come Again,” and “Some Good Things Never Last” are two great songs in a row. “…Good Times..” has the format, much like his hit “Somewhere Down The Road,” with the theme of hoping better things will come in the relationship after taking a break, where “Some Good Things Never Last” was featured on his follow up release, Live On Broadway. The opening line of “It’s 3 in the morning/You’re nowhere in sight” is a line that’s been thrown in my head numerous times for no reason whatsoever, especially being awake at 3 A.M. It’s a wonder to me, looking back now, why “Some Good Things Never Last” was not released as a single. It should have been on the pop or AC charts.

The last three songs are the songs I remember most about the release. “My Moonlight Memories Of You’ is a catchy song that displays Manilow’s love for Broadway songs. The song starts off one way , and then goes in another style, one that you could see Fred Astaire dancing and singing in an old time musical, or in a vaudeville show. The “I Can’t Smile Without You” feel of the song challenges the listener NOT to sing along, and with the end , where he is singing the melody while it fades out, one can picture the main star walking down the street while the camera pans overhead to the city while the credits roll.

“Anyone Can Do The Heartbreak” was a hit for Anne Murray in 1987. Both versions are just as good, and it’s hard to choose one over the other.

The final is a road song, “A Little Traveling Music, Please.” I first heard this song on the PBS special, or the VHS release of the show, I can’t remember exactly, but I thought it was a great , soft song about being on the road , and away from the special person. Many road songs in music, like “Faithfully “or “Turn The Page,” have power to it musically (hence the name power ballad), where this song is a refreshingly mellow and clam, with drummer Vinnie Colaiuta playing brushes on the track. This song is the perfect placement as the ender of the album. I played this song many times after playing in local bands as a drummer on the way home to calm my ears after playing rock and blues all night long. It takes a while for the song to get going, with an instrumental intro, but when the song gets going, its great.

Barry Manilow has wonderful memories for me. One, it was exposure to Manilow’s latest work, and not just the popular hits that I knew the time. It also had a long run time, so I got my money’s worth, along with some songs becoming my favorite rarer songs from his catalog (“Memories of You,” and “Traveling Music” are two of them).

The songs still hold up after 30 years, and doesn’t sound too dated, even though it is one of his more polished production wise albums (along with 1985’s Manilow) . Manilow fans all have their favorite albums (they are as passionate as Kiss, The Beatles, and The Oak Ridge Boys’ fans as which are their favorites), this is one of my favorites where I don’t have to skip songs ( I am not counting his cover albums). Even though some are a little weaker than others, it can play all the way through. This is a CD that gave me more of a love of Manilow’s music (especially when I was in college at the time, where his music was a friend to me). It is still a go-to CD to play when I want to hear some rarer Manilow songs.

You can read my other post on Barry’s rarer songs here in the archives, by typing in “Barry Manilow” in the search engine.

 

Track Listing: 1. Please Don’t Be Scared 2. Keep Each Other Warm 3.Once And For All 4. The One That Got Away 5.When The Good Times Come Again 6. Some Good Things Never Last 7. In Another World 8. You Begin Again 9.My Moonlight Memories Of You   10. Anyone Can Do The Heartbreak 11. A Little Traveling Music, Please